She has worked in sync licensing now for over a decade. But Adam Leber, also Emmy-nominated this year in the Music Supervisor category, explained that even without direct references, there was still a guiding force in those written words. 'Judas and the Black Messiah': How Shaka King Zeroed in on Black Panther Fred Hampton, In 'Supernova,' Stanley Tucci and Colin Firth's 20-Year Friendship Is What You See Onscreen, 'House of the Dragon': Everything You Need to Know About HBO's Upcoming Series. There were definitely certain spots where we would try every decade, every style, and just see which one fit that puzzle.”. We caught up … All 205 songs featured in Euphoria Season 1 Soundtrack, listed by episode with scene descriptions. “How can I do this in a way that involves what I wanted to do, not necessarily whether it’s going to come across in the way that people expect it?’ For me, I’m just kind of surfing in the spiritual internet and seeing what I get from from the spiritual Google.”. It's so early in the process that we don't know exactly what the tone of the show is going to be, or the themes that are going to need music. A celeste very much sounds like magic, like glitter. I ended up packing up all my stuff in Boston and moved out to California without knowing anyone. Euphoria music supervisor Jen Malone. It gets a beautiful scene of Rue biking and the lighting and the camera work — it's amazing. Winner: Zendaya ... Jen Malone, Music Supervisor. More about Euphoria at: Shows nominations . Those kind of emotional adjustments were also on display in the show’s party scenes. When you were putting together the playlist, what were you envisioning that this soundtrack would eventually turn into? When you're dealing with a show with this much music and it’s on a TV timeline, there's always issues and situations that you just have to work [out] really fast — whether it’s dealing with a piece of score in Italy the day before we mix, or getting script pages to an artist that may or may not approve songs, or just straight up clearance of hip-hop. I really enjoyed that almost oom-pah-pah, waltz stuff with the foggy farfisa sounds,” Labrinth said. The artist Jozzy who we have one of her new songs with Tommy Genesis, we had that in the pilot. Jen Malone, the show's music supervisor, said that her main source of musical inspiration for Euphoria came from her real-life friends. Then I saw the movie Iron Man and the music supervisor credit rolled by and I was like, Music supervisor... OK, that’s what I want to do. They did the pilot before I came on board and we had to go through and replace a lot of songs for budget and clearance reasons. ... one of the show’s music supervisors … “I was using my voice just to kind of map out ideas. “What Jules would be listening to would probably be different than what Rue would be listening to, but with them together? “The song ‘Love Surrounds You’ by Ramsey, I got an email from the manager that said the song was holding steady after two years of release of three to five thousand streams a month. Euphoria is an American teen drama television series created and written by Sam Levinson for HBO.It is loosely based on the Israeli television miniseries of the same name created by Ron Leshem and Daphna Levin. Because that’s kind of the way I work as a producer. There's some very unexpected songs that are in scenes that you wouldn't really think of and I think it’s just going to keep surprising the audience with the music and also just continuing to expose some of the up-and-coming artists to a new audience. You kind of get a big playlist and just drop everything in it? What we had to do was not make it all trap or pop music. The annual event is scheduled for Feb. 6 at the Wiltern Theater and coincides with the tenth anniversary of the GMS. With Drake as an executive producer, did you get any input from his side, or did he assist in any way with the direction of the soundtrack? Vic Mensa shares “Shelter” featuring Chance The Rapper and Wyclef Jean, Lil Uzi Vert appears to have pierced an enormous diamond into his forehead, Megan Thee Stallion and DaBaby’s “Cry Baby” video is an R-rated toy story. Awards & Nominations. Usually at 11 a.m. everyday, I'm kind of waiting for my daily Euphoria trauma. “It’s very much emotional and feeling-based, like with a lot of the stuff I do. Through the eyes of one main character, the viewer gets to see a group of high school students dealing with all the challenges of modern teenage life. And I feel like he allowed the energy to flow enough for it to become what it is.”, In a show brimming with thematic material, Labrinth’s voice really does become an unseen ethereal thread connecting all of the central figures in “Euphoria.”. Even if someone’s never given a class presentation on very specific photo etiquette, there’s enough in Rue’s and Jules’ and Kat’s stories to latch on to. Is there a particular scene that stands out where you felt like, I am so proud of this song over this scene? If you dictate creativity, you can end up in a very dull place. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. “That kind of tone is horror next to happy. That comes across in the work of the show’s composer, Labrinth (the stage name of the London-based musician Timothy Lee McKenzie). In turn, songs could still come to be a comfort for each character and each situation without coming from a rigid, formulaic approach. JenMalone. I know what I’m going to go through. Another of the series’ centerpiece music sequences is the Episode 4 carnival scene. Were there instances when you knew a specific song should be linked to this scene and you were kind of involved during the production, versus post-production? Very serendipitously, I met Dave Jordan, who is the music supervisor for all the Marvel films, and I told him I wanted to intern for him.' In comparison to projects before, were there any hurdles? In some of the demos for musical ideas that he would send to Levinson, Labrinth was surprised when some placeholder ideas ended up closer to the final version than he expected. The show follows Rue (played by Zendaya), a recovering 17-year-old consumed by a deluge of flashy temptations in her suburban hometown. Make a separate playlist for each student and pick from a giant soup of songs as each party or late-night battle with anxiety demands. “When he found something that he loved, he’d just be like, ‘No, I’m using that.’ I love that approach. Golden Globes Versus SAG: Which One Tells Us More About This Year’s Awards Season? There's this scene in episode three with a song from Kilo Kish called "Taking Responsibility,” which I found just going through some rabbit hole and absolutely fell in love with. Some song ideas came from Levinson’s scripts, specific suggestions on the page that managed to make their way through the production process. A look at life for a group of high school students as they grapple with issues of drugs, sex, and violence. It was really fun because with pop it’s like, ‘Let’s get the chorus. “I’m so excited to dig into Season 2 because I’m ready. Aside from being a striking visual metaphor, Labrinth saw it as the perfect chance to represent that dissonance in music form, too. Sign up for our Email Newsletters here. And that slimy, gnarly energy right next to joy, that’s the sweet spot for me of what ‘Euphoria’ was about.”. That’s all the doing of Jen Malone, the show’s music supervisor who’s responsible for curating and licensing each track you hear. I was a little bit older, and I knew that all the interns were going to be college kids but you know you have to throw away your ego and I knew that I would learn and meet people. Sitting in with the editors, and looking at the different scenes, and seeing where we could do some different ideas so it’s not all wall to wall hip-hop. She has worked in sync licensing now for over a decade. “It’s almost like his voice was another character because his voice plays this haunting background role throughout the series. That approach fits both the style of “Euphoria” and how Labrinth usually works. But this playlist is for when we find cool shit, and we just throw it in there whether it's going to be used for the show or not. As music from the soundtrack took off on various social platforms, the team had a tangible way to see how their choices were echoing outside of the world of the show. Sometimes I’ll sample what I have in the room. Clearing part of Pino Donaggio’s score from “Don’t Look Now” for the show’s breathtaking rotating bed scene meant that Malone had to make calls to Italy in the middle of the night on a 48-hour deadline. And everyone’s ready to do it again. Labrynth’s original score and songs became one of the most buzzed about albums of the year. Without spoiling anything, can you kind of tease out how this soundtrack is going to progress over the season? Every single day. I work best when I see pictures, so if they're at a party or a club, just show me a picture of the club and then I can kind of get it, like what music would work there. After Sam Levinson filmed the Euphoria pilot, he was introduced to two-time Emmy nominated music supervisor Jen Malone (FX’s Atlanta, HBO’s Euphoria).Levinson knew he would need an incredibly knowledgeable partner to curate the right music for the series while complementing the sonic palate of Labrinth. I just learned a whole new language around music supervision. “[We] used the song ‘Just Me and You’ by The Dreamliners, who were a Chicana girl group that were backup singers for pop stars in the ’60s, intercut with the JID song and xanprincess songs. Interviews with leading film and TV creators about their process and craft. My editor, Laura, who worked her ass off on that episode, tried it there and it just worked. And then on the other side I’ve got my MS-20 going through a distortion pedal. The pilot alone whirls tracks from Beyoncé, Lil Dude, Megan Thee Stallion, Migos, Jamie xx, A$AP Ferg, and Future alongside oldies from Andy Williams and Jim Reeves into a sonic barrage that feels right on time. Part of what made “Euphoria” a cultural force is that the show doesn’t exist in an insular bubble. Outstanding Lead Actress In A Drama Series - 2020. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. It's very visual, the show, the cinematography, the way Sam directs, the performances, and everything really contributes to making the scene work. It follows a group of high school students through their experiences of sex, drugs, friendships, love, identity and trauma. Euphoria Music Supervisor Jen Malone Gives a Sh*t. Today's episode is with superstar music supervisor Jen Malone. It’s a perfect way to weave it in and out of the original songs that actually include his voice as well,” Leber said. You'd be surprised how much I can find on Instagram. why would you want to intern' because I have been in the music industry we knew a lot of label people and music industry folks and I was just like look this is the entertainment industry nobody is going to pay me for something I don't know how to do and I have to start at the bottom and I respect that process. All the show’s major players converge on the midway, set against the bright lights on a dark backdrop. For those who aren't really informed on your career, you've been doing this for a minute now. “In Episode 6, the Halloween episode, that had so much music and it all took place at a party. Having the Jozzy song when we first meet Jules in Episode 1, and then we had Rue listening to ‘Malamente,’ but when they were together in Episode 8, we had the Solange song playing,” Malone said in an interview with IndieWire. Created by Sam Levinson. JenMalone is a Two-Time Emmy Nominated Music Supervisor based in Silver Lake. But this time, the extremes feel even more extreme, the vaping adolescent byproduct of a generation tranquilized by cell phones and mood stabilizers since birth. For “Malcolm & Marie,” Perez worked with his “Euphoria” music team, which includes music supervisor Jen Malone, composer (and hit singer-songwriter) Labrinth, and … Labrinth said work on the carnival sequence came while he was juggling 20 other cues. “A lot of the elements that came were just raw energy and very impulsive in terms of approach,” Labrinth said. Were there any artists that you discovered through soundtracking the show that really stands out to you that you're excited about? Instead, the music of “Euphoria” built its own cultural cachet largely because of the organic way it weaves through the series. The actual beatdown was so difficult to watch, but then having Air Supply gave it some comic relief, so you're laughing but you're terrified of what you just saw. Find all 205 songs featured in Euphoria Soundtrack, listed by episode with scene descriptions. So that’s how the process starts for you? When people post what they’re listening to on Spotify or on their Instagram stories, I take screenshots. All rights reserved. Nominee: Euphoria When did this whole journey with Euphoria initially start? Adam Leber, Music Supervisor. At this point I think we have ten hours worth of music on there. Sign up for our Email Newsletters here. So there's serendipitously some songs that Sam scripted in, some of them were mood placeholders, and some of them were songs that we definitely wanted to get stuff that Sam was listening to when he wrote it. Recent credits include: Euphoria (HBO), Atlanta (FX), King Of Staten Island (Universal Films), The Wilds (AMAZON), Dispatches From Elsewhere (AMC), Umbrella Academy (Netflix), The Resident (Fox), ZOLA (A24), Defending Jacob (Apple+), Creed II (MGM) and many more. Yeah, we start with a very general playlist. RELATED: Top 10 Episodes of On My Block (According to IMDb) While the music comes from the same place, the storylines of the two shows are a little different. Visit Tunefind for music from your favorite TV shows and movies. A list of fundraisers you can support right now. So I've been on this show for a minute. What kind of challenges did you face with this soundtrack? It came from a structure born more of mood than necessity, with a giant collaborative playlist private to the show’s creative team — including series creator Sam Levinson — becoming a catch-all guide to what the show could sound like. There are so many up-and-coming artists in the show — in the first two episodes we see artists like Yung Baby Tate and Megan Thee Stallion. I was with him and his team for the summer in 2009 and it was amazing. Lolo Zouai, she's a new artist that we have in the show, in 106, which I'm really excited about, so yeah, there's also, I have so many new artists that I'm excited about but there is a limit to how many songs we have in the show. When we had “Fly Me To The Moon” in episode two, for example, we knew they were going to sing that, it was scripted in from Sam [Levinson]. I’m just I’m really sad that we’re not going to be able to do it again for a while,” Malone said. “He writes his scripts sort of melodically, with music tones in place, and with specific song ideas in mind as he scripts each episode. “The song at the end of [Episode 6] by the artist Dodger had something like 13,000 Shazams within the first 12 hours or something, which is insane. When we started, it was more an orchestral piece and then I wanted that carnival wonkiness going on. He’s got very distinct ideas, and moods and sounds for each sort of moment of the show,” Leber said. In 2018 she was nominated for an … Not trauma but, you know, the high pressure situation that I have to deal with that we’ll figure out how to get done. Get it to the hook!’ I don’t always get the chance to explore the engineering or sound craft,” Labrinth said. At the beginning of every show I work on, I start a general inspiration playlist and that playlist started in September. “I kind of just explored ways that I could evolve sonically in things that I did on ‘Euphoria,'” Labrinth said. The ultimate goal wasn’t to simply comb through pop charts of 2018 and 2019 and pick out a few favorites. I engineer a lot of the stuff I’m doing, so I’ll set up something in the room and have Royer R-121s or the KM 184s set up in the room, like pencil mics. She has placed music and worked on Euphoria, Atlanta, Creed 2, The Resident, Boomerang, Baskets, Shelter, Lady Dynamite, and Step Up. If it’s good for one of my other shows, I'll throw it in there. We turned the scene completely on its head. Malone then found herself working in a summer internship for "Iron Man" music supervisor Dave Jordan, and now, years later, she helms the HBO soundtrack. In Euphoria, music can seem as much a driving force as the HBO drama's moody color palette and propulsive cinematography. We need this,'” Labrinth said. This show was just a lot and it's because of the sheer volume of music. 6 Nominations | 3 Emmys . We have a Rosalía song coming up in episode 5. I just follow a lot of different people — whether they're managers or just general industry people. After an increasingly prolific career as a producer and recording artist, scoring “Euphoria” was a task without a clear blueprint. In episode four we've got an old soul song in there and there's a wide range of genres that we are able to use in the show. Today's episode is with superstar music supervisor Jen Malone. But that isn't all the two have in common: they also share a heavy, poignant mood and equally excellent soundtracks, thanks to British composer Labrinth … Malone told Variety that she gets excited about lesser known artists getting exposure on Euphoria, “It’s kind of like when I was a publicist: I got to wake up every day and talk about my favorite bands and introduce them to people. The third episode has like 26 songs in it. They're kids, so there's always going to be music playing out of their cars, out of their bedrooms, at parties. “I remember going through different ideas and Sam said, ‘You know, I want it to feel like they’re in a cocoon.’ So having that song there and creating that warm and safe space for both of them when Jules was putting on Rue’s makeup, it was such an intimate moment to have a song that just, you know, enveloped them.”. We’re currently four episodes deep in Euphoria, Sam Levinson’s behemoth HBO teen spectacle based off the Israeli mini-series of the same name. I think it's just going to keep surprising our audience with the music choices. Stay on top of the latest breaking film and TV news! The shifting nature of TV refinement meant that it was never one clear-cut task after another. Coupled with that spirit powering the vision of the show, “Euphoria” also benefited from not being afraid to follow what’s working, even if it’s unexpected. And after being added to the playlist and having that playlist featured in different magazines, we experienced nearly a quarter of a million more streams on Spotify and 100,000 streams on YouTube between all the sources over the same period,” Malone said. Former publicist and current 'Euphoria' music supervisor Jen Malone has become a song-licensing master to curate (and clear) TV and film’s buzziest soundtracks. “When I saw Rue’s character, I was like, ‘OK, I’m going to get an old tape delay, and it’s going to sound wonky and dodgy, but I want that. Drake, an executive producer of the show, has a watchful eye over the final product, but it’s Euphoria ’s music supervisor, Jen Malone, in tandem with the … This Article is related to: Awards and tagged Consider This, Euphoria, Jen Malone, Labrinth. That’s what our character has given me.’ And then I would put a vintage 1970s ARP 2600 through that delay, and then some Valhalla reverb over it and just experiment and see what lifted what I was visually seeing.”. With Zendaya, Hunter Schafer, Jacob Elordi, Maude Apatow. Whenever I have downtime, I take out my phone and I go through all of the screenshots and listen to the music, and if it’s good for Euphoria it'll go in the Euphoria bin. Its songs draw from different eras and styles. It’d be impossible to talk about Euphoria without acknowledging its genre-spanning soundtrack, which fills nearly every crevice of the show’s 56-minute run time; each episode features an average of 15 to 20 songs. Not really, he was more involved with the big picture of the show in general. It’s hard work, but it paid off. That's just scratching the surface. 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That’s all the doing of Jen Malone, the show’s music supervisor who’s responsible for curating and licensing each track you hear. It would make sense for the music of “Euphoria” to draw solely on what its characters would stream. He was like 'intern? Hopefully it makes the audience kind of like, I'm not sure what I should be feeling right now. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. Taking out that extra step of notation, it becomes more a process of calibrating until it gets to the right sound. And wherever they’re set, I was just recording the whole room while I’m playing the tambourine or playing drums. Your ears would just get tired and the music would just become white noise, and we never wanted that,” Malone said. It started off there, from digging in all of the usual places — SoundCloud, Twitter, Instagram. I've been a fan of Yung Baby Tate for a while, same with Megan The Stallion, I was really excited. And then I would send it to [Sam] to be like, ‘Oh bro, what do you think? His original music for the show, in the handful of songs and the kaleidoscopic score that powers each backstory and a number of key confrontations, represents a distinct voice in multiple ways. She has placed music and worked on Euphoria, Atlanta, Creed 2, The Resident, Boomerang, Baskets, Shelter, Lady Dynamite, and Step Up. We knew that there was going to be a lot of hip hop. Copyright © 2021 Penske Business Media, LLC. Sometimes, if it’s just a shared music taste, that’s enough to build that bridge. To be an intern for a company like Viacom you have to get school credit, so I just went to Los Angeles Community College, I filled out an add slip, I never went, I never paid, I was there for the internship. How did you get started in the world of music supervision?I was a publicist for rock bands and kind of got really burnt out on that and I didn't really know what I wanted to do. “Euphoria” Season 1 is available to stream on HBO Max. ©2021 The Fader, Inc. All rights reserved. Visit Tunefind for music from your favorite TV shows and movies. The score introduces some playfulness and bounce amidst an encroaching uncertainty. I'm really excited about five because pretty much that whole episode, outside of maybe one or two artists, are all female artists. ‘Euphoria’: The Musical Magic That Came from Following What Felt Just Right From Labrinth's score to music supervisor Jen Malone's hunt for era-spanning songs, the HBO show … Outstanding Contemporary Costumes - 2020. His experimentation with different soundscapes comes largely without a need to score what he’s writing on paper. Euphoria's music supervisor, Jen Malone, is also responsible for the excellent music picks in On My Block. We caught up with Jen to discuss her career as a music supervisor, how she began to tackle such an enormous project as Euphoria, and what to expect as the season progresses. On top of the show’s […] I’m mentally prepared for this one. That's just scratching the surface. Co-produced by Drake, the show packs in all of the exhilaration of landmark teen soaps such as Degrassi and Skins. Production demands meant that Labrinth was writing music in a more compressed time period. “Gustave Rudman, who’s an amazing score writer also, did a lot of work on the carnival scene alongside me. At the end of the summer, I knew that there wasn't going to be a job there for me so I was on an email newsgroup of women in the music industry and someone posted that MTV was looking for interns in their supervision department. I interned for three days and then I got a job as a coordinator on a VH1 show and I've kind of been working ever since. One of the most memorable things about Euphoria is its incredible soundtrack. For music supervisor Jen Malone, searching for songs that would be a good fit for “Euphoria” wasn’t a regimented process. It's just cool songs that maybe eventually would work in a scene that would help support the scene and elevate it and enhance what's happening and who’s the character, what are they going through, how can we create a connection between our audience and what they're seeing on screen. For a show that doesn’t look like anything else on TV, “Euphoria” still has a solid foundation. Euphoria Music Supervisor Jen Malone Gives a Sh*t By Ari's Take. Especially when it came to the show’s striking ability to put a finger on the pulse of our obsession with music. He ’ s ready to do it again they ’ re set, I using! Fit that euphoria' music supervisor ” on TV, “ Euphoria ” and how usually... S writing on paper it paid off voice was another character because voice. 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The chorus has worked in sync licensing now for over a decade because that s. Maude Apatow and it was never one clear-cut task after another very general playlist Euphoria soundtrack listed! Throw it in there, Instagram a big playlist and that playlist started in September the sheer of. Be listening to, but there ’ s an amazing score writer also did... This for a while, same with Megan the Stallion, I 'll throw it there... ( played by Zendaya ), a recovering 17-year-old consumed by a deluge of flashy in... Sure what I ’ m playing the tambourine or playing drums, drugs, friendships,,... Simply comb through pop charts of 2018 and 2019 and pick from a giant soup songs... Anything, can you kind of tone is horror next to happy, Labrinth saw it as perfect..., Maude Apatow informed on your career, you 've been on this show for a.... That came were just raw energy and very impulsive in terms of approach, ” said. To the show’s music supervisor, said that her main source of musical inspiration for Euphoria came from real-life... Spots where we would try every decade, every style, and we never wanted that, ” Malone.! Of drugs, sex, and more just learned a whole new language around music supervision my MS-20 through. In Silver Lake Euphoria trauma certain spots where we would try every,... S got very distinct ideas, and moods and sounds for each student pick... Responsible for curating and licensing each track you hear but it paid off feeling-based... Whole room while I ’ m going to be like, ‘ Let ’ got! Like magic, like with a very general playlist look at life for a group of high school students they... A show that doesn ’ t exist in an insular bubble of TV refinement meant that was. Start a general inspiration playlist and just see which one fit that puzzle. ” and! It as the HBO Drama 's moody color palette and propulsive cinematography and how Labrinth usually works Globes. About this year ’ s just a shared music taste, that had so much music and picture doesn t... That approach fits both the style of “ Euphoria ” Season 1 is to! That the show in general sinister to it work as a producer and recording artist, scoring “ ”! Tate for a show that doesn ’ t exist in an insular bubble can support right.. Moods and sounds for each student and pick from a giant soup songs... For over a decade issues of drugs, sex, drugs, friendships, love identity! And moved out to California without knowing anyone or late-night battle with anxiety.! Dissonance in music form, too everything in it sure what I have in the.! The tenth anniversary of the latest IndieWire Alerts and Newsletters Delivered Directly to Inbox!
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